Colorful Penny Postcard from Halloween Past

This penny postcard for Halloween was mailed from Chicago, Illinois to Cleveland, Ohio on Oct. 28, 1913, from a doting aunt to a 6-year-old nephew.

The greeting asked whether the boy was practicing his violin or had decided to stop taking lessons. (Spoiler alert: he quit!)

In the early 1900s, hubby's Wood family throughout the Midwest stayed in touch via this type of penny postcard, colorful and convenient, not to mention affordable. Thankfully, 110 years later, the colors remain bright and the handwritten message is still legible today.

For more about the history of the postcard, and the craze for penny postal greetings, see this page.

Spirited Halloween Crafts, Future Family History

Three generations of my family (ages 4 and up) enjoyed a morning of spirited Halloween crafts last week. 

Not only did we have a fun time, we created memories that will be part of family history in the future, with photos as conversation starters. Maybe we'll look back on this craft day as the, uh, ghost of Halloween past!

Of course these spirited beauties will be represented in the family photo calendar for 2024.

Happy Halloween, and may you have treats, no tricks. 

Top: ghost, deep-sea fish, panda. Bottom: sad princess, watermelon, watermelon with sparkly rainbow. 

"Spirits" is the 52 Ancestors prompt for week 44, from Amy Johnson Crow. 

Do You Participate? One, Two, Three

Local genealogy groups don't just need good leadership...they also need active member participation to thrive. 

IMHO, here are one, two, three ways to participate even if you don't want to serve as an officer or chair a committee:

• Show up. Gen clubs and societies take care and spend money to plan programs that will be meaningful for members. Seems obvious, but a great way to show support as a member is to attend meetings (virtually or in person). As a bonus, ask the speaker a question and/or tell the program chair what you think of the presentation. If it's a virtual program, read and try to participate in the chat--often I get good ideas or make connections based on chat comments. 
• Offer input. Most societies survey members about topics or speakers they're interested in, genealogical origins they're researching, and so on. They really want to hear from us. If we don't provide input and feedback, societies can't plan programs and/or library purchases that will be of benefit to members. One local club recently asked for input about genealogy books we're buying to donate to the library where we meet. Several people responded, and soon the library will be expanding its genealogy section with the club's donated books. Good for the club, good for the community.
• Submit content. Most societies have a newsletter or social media presence--and they generally welcome content from members. Consider submitting a sentence or two about a local gen resource or an upcoming conference, or a paragraph or two about a conference you attended or a genealogical book review. Or pipe up during a meeting when asked to comment on something new. Sharing benefits everyone and adds value to membership.

Please consider participating so local clubs and societies stay strong and vibrant.

Happy 112th Anniversary to Minnie and Teddy

On this day in 1911, my immigrant maternal grandparents got married on the Lower East Side of Manhattan. Hermina "Minnie" Farkas (1886-1964) and Theodore "Teddy" Schwartz (1887-1965) were born in different towns in Hungary, and both arrived at Ellis Island in 1901 when they were just teenagers. The path to their wedding wasn't smooth, since Minnie's parents weren't crazy about Teddy at first. But over time, she won them over. 

That's the lede, and I didn't bury it. In fact, I put it front and center on the cover of my colorful family history photo book, to get readers intrigued by previewing the lives of these ancestors. This is my approach, which fits with my goal of making family history accessible and maybe even fascinating for younger audiences. Your approach might be different, of course, depending on your audience and your goals.

Inside the book, I wrote that my grandparents were married for 52 years, working side by side for much of that time in Teddy's Dairy grocery store in the Bronx, New York. I put in pictures of big family get-togethers (captioned) and mentioned their charitable works. Also, I traced their parents' histories, from birthplaces to marriage to burial places, and summarized what happened to their siblings. Finally, I talked just a bit about their descendants (my readers) and included some contemporary photos. My readers will, I hope, open the book in the decades to come and smile at what will by then be quote old family photos unquote ;)

No matter how you tell your family's story, I think it helps to cater to the interests and preferences of your audience--today and tomorrow. 

Occupation as a Theme in Family History

Home built by James E. Wood on
Lancelot Ave., Cleveland Hts, Ohio

In my husband's family tree, multiple generations of people had the same occupation. Another recurring pattern was younger generations choosing vastly different occupations than the generations who came before. The theme of occupation can be a really good hook for sharing bite-sized family history stories, no matter what your ancestors did for a living.

Slatter: Military men

My husband's three great uncles in the Slatter family were military bandmasters, and their sons also joined the military. I've written a few bite-sized family history bios of these men, and found lots of rich research, in particular, about Captain John Daniel Slatter (1864-1954) and Bandmaster Henry Arthur Slatter (1866-1942). But even without the extra details about how Capt. Slatter popularized the kiltie band, I can organize stories around the multiple generations of Slatters who served their country in wartime and in peacetime. 

Younger relatives in our family were quite interested in the dramatic backstory of how the three Slatter brothers got their military training, starting in their preteen years. They were also fascinated by artifacts such as this WWI handkerchief, passed down in the family for more than a century. The theme of military career has been a hook for me to tell quick stories on Memorial Day and Veterans Day, not just in bite-sized bios, photo books, and on websites.

Wood: Carpenters for generations, then none

My husband's grandfather, James Edgar Wood (1871-1939) plus James's brothers and father and earlier generations going back many generations were--as the name Wood implies--carpenters. Earlier Wood ancestors were shipbuilders and general carpenters, later Wood ancestors applied carpentry to build railroad carriages, homes, and other things. 

The family still has several photos of homes built by grandfather Wood in Cleveland and Cleveland Heights, Ohio, during the first three decades of the 1900s. At top, the photo shows a home Wood built on Lancelot Ave, Cleveland Heights, as it looks today--more than a century after it was constructed. The grandchildren were impressed that their ancestor built a home so sturdy that it looks very good even after so many decades.

Then I tell the youngsters that our Wood line no longer has any carpenters. After James, the next generation went into professional careers such as stockbroker, insurance, and company management. That abrupt shift got their attention, sparking conversation about the older careers and the newer careers. 

Lower: Attendance officer and breadwinner

There were women teachers in several branches of my husband's family tree during the first decades of the 1900s, but usually they stopped teaching soon after marriage. Hubby's grand aunt, Lola McClure Lower (1877-1948), wasn't a teacher, though she worked in schools when she became the breadwinner of her family after her husband, a civil engineer, was confined to bed.

Lola built a career as a truant officer in Wabash, Indiana, and became well-respected in the field, giving presentations to regional conferences. How she found time to volunteer for the Red Cross for 25 years, I'll never know. Telling her story is an opportunity to hear what younger relatives think about her choice of occupation! Plus an opportunity to discuss societal and economic changes during the 20th century as more women entered the workforce.

IMHO, any occupation, in any time period, can be an engaging theme for sharing family history stories. Just don't bury the lede. 

Family History as News: Don't Bury the Lede

When I write family history stories and create family history photo books, I put the important stuff close to the beginning. Why? It's an old but still relevant journalism adage: don't bury the lede.  

In other words, don't wait to reveal key information until later in the story...unless there is a really compelling reason to build up to it slowly.

Will our audience pay attention?

For family historians, simply getting the attention of our audience can be a challenge. Encouraging them to keep reading or listening to a story about ancestors is often a challenge as well. Every family history incident has some drama or mystery or fascinating element--it's up to us to shape the narrative and keep the audience engaged.

If we bury the lede, we make the audience wait for the payoff to the story. Um, maybe they won't stick around until the second paragraph or second page to find out what happened to that ancestor.

But if we give them a strong hint or outright reveal the most exciting or important details near the start, our audience will know right away why this story is worth their time. I hope they'll be intrigued enough to continue to find out who, what, when, where, and why. Especially why! 

It's news to them!

For example, when I blogged about my grandpa Isaac last week, my first paragraph didn't hide what was going to happen--it led with the sad fact of his death while visiting relatives. Then I told the story leading up to his unexpected death. No need for suspense, 80 years after the fact, IMHO. 

Family history isn't exactly news coverage but I feel these stories are, in fact, news to our younger relatives. Maybe they've heard the story before, but not with the new discovery I just made. Or maybe they've never heard about what other people did or said about the story and how it rippled through the family in the past. There's always a way to make genealogy fresh and interesting.

That's why, as the family historian conveying ancestral news to the next generation and beyond, I believe it's up to me to put the lede up front. 

How Floyda Won Her Divorce Plus Alimony and Court Costs

 

In my current family-history photo book, I'm telling the story of my husband's maternal grandparents, Floyda Mabel Steiner McClure (1878-1948) and Brice Larimer McClure (1878-1970). One page is devoted to Floyda's first marriage, to an affluent local farmer in Upper Sandusky, Ohio, in 1898. Three years later, Floyda left him and filed for divorce--very unusual for a woman in her early 20s in small-town Ohio, circa 1901.

Which court house?

A few years ago, I called two county court houses in the area to see which might have the divorce files. Turns out Floyda filed in the closest court to her hometown, much to my surprise. Other ancestors I've researched filed for divorce in a neighboring county or even another state. Not Floyda. I imagine her mother and sisters stood by her as she prepared to confront her husband in the court room. 

It cost me only $3 and postage to obtain photocopies of all the divorce documentation by snail mail. Here's what I learned, all of which I'm sharing in my photo book.

Floyda's side

Floyda alleged that her husband was verbally abusive (calling her a "damn hen" and jeering that she was low-bred, among other taunts and curses I won't repeat here). She said he was also physically abusive (scratching her face, kicking her, threatening to do more). 

Her husband's side

Her husband's attorney responded to the petition with just a few handwritten lines to the court. The lawyer wrote "that the facts stated therein are not sufficient to constitute a course of action." Note that the lawyer didn't dispute Floyda's version, just said the allegations weren't enough to lead to divorce. Hmmmm.

No-show leads to divorce

Floyda's husband failed to respond in person to the court summons and the judge therefore ruled entirely in Floyda's favor, granting the divorce and all she requested in her petition. 

At top is the accounting of how much Floyda won: $215 in alimony and full payment of her divorce costs (in all, worth $8,400 in today's money). 

The court also ruled she could return to her husband's home and retrieve her own belongings. Floyda now legally resumed using her maiden name. I found her mentioned in newspaper social items as "Miss Floyda Steiner" once again. 

Only recently did I figure out how Miss Steiner met Mister McClure. That story is also in the current photo book! 

The Tragic Last Trip of Grandpa Isaac

Tintype taken around the time of their marriage in 1906

My paternal grandfather Isaac Burk died on this date, 80 years ago. At the time, he and my grandma Henrietta Mahler Burk, who lived in New York City, were on what was probably a rare trip during the war years. They had been married more than 37 years, and had four grown children. This vacation began with laughter and happiness, but ended in tragedy and tears.

Grandpa Isaac got me into genealogy

More than 25 years ago, my maternal cousin was creating a family tree and wanted to know a bit about my father's father. Unfortunately, I knew very little about Grandpa Isaac, who had died many years before my birth. All my cousin asked for was his death date and place. In the days before digital documentation and genealogy websites, it took me (an absolute beginner) a very long time to learn the sad story of Isaac's final days.

For months I researched New York deaths in the Bronx, Manhattan, and Brooklyn within a wide range of dates, with no luck. Eventually, I went to my library and used its New York Times historical database to search for Isaac's name in the death notices, remembering that my city-based family traditionally posted notices to let people know about funerals. I found a terse notice about Isaac Burk's death on Oct. 8, 1943 and his funeral service on Oct. 10, 1943, listing his wife and four children as survivors. No info about cemetery name or location. 

Now I dialed the NYC authorities, asking about a death cert from that period. A kind official put me on hold to look, believe it or not, and then returned to tell me that Isaac Burk had NOT died in New York city or state. What?? I threw myself on his mercy, asking for advice, since I had been searching for nearly two years and had no idea what to do next. He lowered his voice, not to be overhead by others in the office, and casually recommended I look out of state, such as in, say, Washington, D.C., of all places. 

Why were my grandparents in Washington, D.C.?

With this clue, I wrote away to the D.C. authorities and enclosed a check to pay for Isaac's death certificate. The cert arrived a few weeks later, and I was both excited and confused. My grandparents' "usual residence" was in New York City...but Isaac died of a heart attack at a residential address in Washington, D.C., and the informant was his brother-in-law, Louis Volk. I blogged about this mystery, and it caught the eye of a paternal cousin who filled in more details.

Isaac and Henrietta had traveled to Washington to stay with her favorite sister, Ida Mahler Volk, arriving in early October, 1943. World War II was raging, and I doubt my grandparents traveled very far or very often. Their two sons were serving in the US Army overseas. Their two daughters were married and in their own households. This trip must have been much-anticipated.

Isaac and Henrietta got together with other family members while in D.C. and enjoyed walking downtown, as well as sitting and chatting at Ida's home. It was a Friday afternoon, just after lunch in the home of Ida and her husband Louis, when Isaac had a heart attack and died. Grief-stricken, the family scrambled to have Isaac's body sent back to New York City, and his funeral was held that Sunday afternoon. He was buried in New Jersey. Small wonder I had great difficulty researching this ancestor's death in the pre-internet days. 

Years later, another paternal cousin found documentation that filled in the blanks of Isaac's last good day and his burial.

I'm grateful that my dear maternal cousin asked about Isaac, sending me on this genealogical journey and connecting me with dear paternal cousins.

Remembering Grandpa Isaac on this anniversary of his death.

"Travel" is this week's genealogy prompt from Amy Johnson Crow for her #52Ancestors series.

Mark Your Calendar for WikiTree 15th Anniversary Events

This is WikiTree's 15th anniversary year and the celebration will take place over three days in early November. 

Fifteen years of building a free, worldwide collaborative family tree, with more than a million genealogy folks adding more than 35 million ancestor profiles.

You're invited to attend any or all of the free genealogy presentations on November 3-4 plus a virtual party on November 5! Door prizes are part of the celebration too.

More than 30 speakers are participating, and the program also includes a panel discussion about artificial intelligence and genealogy.

You don't want to miss this special event! Take a look at the full schedule here.

Please mark your calendar and save the dates...including my presentation, "Keep Your Family's History Safe for the Future," on Friday, Nov. 3, at 5 pm Eastern. Watch my talk on YouTube with this link.

Book Review: Genealogy of a Murder

The true-crime book Genealogy of a Murder by Lisa Belkin is meticulously researched, somewhat sprawling yet quite absorbing because of her focus on the family history backstories that shaped the character and actions of three men in the lead-up to the tragic shooting of a policeman in 1960.

The police officer who died was David Troy, the shooter was Joseph DeSalvo, and the person who first mentioned the crime to the author was her stepfather, Dr. Alvin Tarlov, a man haunted by the role he inadvertently played in this crime.

Exploring how family history affects our lives, the author writes in her introduction: "We shape history even as we are shaped by it. We owe thanks (and blame) to our ancestors, and an explanation (and an apology) to our descendants. We are actors without a script, travelers without a map, gamblers who don't know the odds." No wonder I was attracted to this book!

Lots of family history

I admire the way Lisa puts each man's family history into the social, economic, historical, and religious context of the time and place, revealing the hidden influences on what these men thought, felt, and did. She labels each chapter to make it easier to know who we're following, where they are, and the date (or period). Readers come to understand how the hopes, ambitions, fears, and concerns of grandparents, parents, siblings, spouses, bosses, and coworkers swayed the decisions and actions of these men--leading to an unanticipated but deadly result.

As readers, we get an accessible deep-dive into history as these people lived it and as they shaped it. I was surprised to meet the notorious murderers Leopold and Loeb, follow along as experimenters searched for malaria cures, find out about the early days of motorcycle racing, and see different aspects of prison life, all key elements of the main story. So much detail but, in the end, important for us to get a sense of why this murder was committed. 

Consult the family trees, then read about the crime

Because Genealogy of a Murder is a lengthy book, and because of the genealogy angle, I recommend first reading and bookmarking pages xx and xxi, where four family trees are shown. Next, I recommend reading pages 3-8 for an overview.

Then I suggest skipping ahead to July 4, 1960 (starting on p. 280) to learn about the actual crime. I think it's helpful to know what happened before returning to the early part of the book and reading Lisa's chronological narrative starting with the 1900s (p. 11). 

For myself, once I understood the crime, I was more patient in following the genealogy background, which Lisa carefully assembled from a myriad of sources, including contemporary news accounts, historical resources and documents, and interviews with descendants. 

Last suggestion: if you have time, read the chatty notes starting on p. 369. The author tells us what genealogical details she couldn't find, where she looked, and where she did learn valuable details. I smiled when I saw Lisa giving credit to, among other experts, genealogist Melanie McComb of the NEHGS!

Surprise! How Floyda Met Brice

As I work on my latest family history photo book about hubby's maternal grandparents, I'm redoing some research and correlating older and newly-found details to tell the story of these ancestors.

Lo and behold, I believe I have solved a long-standing mystery: How did Floyda Mabel Steiner (1878-1948) meet master mechanic Brice Larimer McClure (1878-1948)? They were married on June 10, 1903, in Upper Sandusky, Ohio, where the Steiner family lived. But Brice was from Wabash, Indiana. Until now, my hypothesis was that his work for the railroad industry took him to Upper Sandusky. Turns out, that hypothesis was only partly correct, according to my latest research.

Newspaper social items 

Using newspaper databases, I found Brice mentioned several times in a Huntington, Indiana paper, in columns about current and previous employees of the Erie Railroad. In 1899, several social notes said Brice (living in Huntington) regularly visited his family in his old hometown of Wabash, Indiana. 

In March of 1902, this Huntington newspaper reported: "Brice McClure and Ott Christain, two former Erie machinists, were in the city today from Kokomo." Okay, Brice was no longer living or working in Huntington but he and his associate visited anyway. Seeing friends? Or . . .

Looking for Floyda, I found a social item from Huntington in September of 1902, with the newspaper reporting: "Miss Floyda Steiner, who has been a guest at the F.W. Rhuark home several weeks, returned to her home in Upper Sandusky, Ohio today."  

Key FAN Club link

This rang a bell about Floyda's sister Etta Blanche, married to Erie railroad mechanic Frank W. Rhuark. I went back to the 1900 US Census for the Rhuarks in Huntington, Indiana. They had a roomer with them: Otto Cristman, a machinist just like Frank Rhuark. Just like Brice. Snippet at top shows the Census, names creatively spelled.

In the past, I had no idea who this roomer was...but it's now clear he was a key member of the FAN club: a work associate of both Frank AND Brice. This man was the missing link, a definite connection between Brice and Floyda's family. 

Matchmaker sister and brother-in-law?!

Knowing that Brice and Ott had earlier worked for Erie RR, where Frank worked, and Ott once roomed with the Rhuarks, I conclude that Rhuarks were almost certainly involved in introducing Brice to Floyda, Blanche's sister.

Another reason for this matchmaker activity to occur away from Floyda's hometown is that she divorced her abusive first husband in 1901. Divorce was still uncommon and Floyda's family probably felt she had a better chance of meeting eligible men elsewhere. Thank you, Blanche and Frank, for setting the stage for Floyda and Brice to meet and marry.

"Surprise" is this week's 52 Ancestors genealogy prompt from Amy Johnson Crow. Never give up, and keep redoing your searches because new info becomes available all the time. I sure was surprised and happy to finally solve this family history mystery! 

Inside My Family History Photo Books

This year I've been making a series of professional photo books as bite-sized family history projects, to be read, spark questions/conversations, and then saved for the future. Above, three from my family...two more are in the works for hubby's family.

Each of my photo books contains 20 pages, plus a glossy front and back cover. The front cover introduces the ancestors and how they are related to our family, plus a sentence or two to intrigue my readers. The covers are colorful and inviting to suggest a lively story inside. 

This is just my approach--yours may be different, depending on your goals and your audience. My goal is to share family history in a conversational way, with affection and an insider's perspective so descendants get to know the people and understand a bit about family dynamics back in the day. 

The interior can be expanded to many more pages but my readers (in the next generation and hopefully generations after that) don't need or want every last detail. If they want, they can take a look at my online trees to get every fact and review every document. 

"Black and white is boring" according to my audience, so every page pops with color, whether it's colorful text, a bright frame surrounding a photo or two-tone hearts or other embellishments. 

Curated content, illustrations and info

I curate the interior content to include basic info, life highlights, family relationships, and interesting stories, liberally illustrated with photos, maps, and snippets of genealogy documents (such as passport photos, ancestor signatures, etc). Inside a typical photo book is:

• Title page: Eye-catching photo(s) with a brief summary of how my readers are related to these people. I use wording such as..."Minnie and Teddy were the grandparents of X, Y, and Z, the great-grandparents of A, B, C, and D, the great-great grandparents of M, N, and O." Also on the title page, I include a quick overview of the arc of these ancestors' lives, like a story.
• Pages 2/3: Backstory of one ancestor, such as my grandma Minnie. Usually I begin with when she was born, who her parents were, birth order and siblings, place of birth and what was happening in that place/that family at that time. Any dramatic events are also included (death of a sibling, for instance). This two-page spread covers birth, childhood, and possibly immigration or education. Illustrations may be a map, a childhood photo(s), diploma, passenger manifest, birth record. Not a dry encyclopedia page, but a story.
• Pages 4/5: Backstory of another ancestor, such as my grandpa Teddy in a two-page spread. If this ancestor's early life intersects with the other ancestor covered in the book, I say where and when. Again, I look for the drama to keep readers turning the pages to find out what happens next. 
• Pages 6/7/8/9:  Following each ancestor's path from old country to new life in the United States. Occupation, helping family get settled, bringing more relatives along, how the ancestors met and their courtship and wedding. My maternal grandma Minnie and her family rode in a horse-drawn carriage to her wedding, which I noted in one book to bring the scene to life for readers. Minnie's parents were far from rich but they marked the day in style once they accepted her choice of husband (she rejected an arranged marriage). Also I included the bride and groom's signatures from their marriage cert. Not all ancestors could write well, but these two had flowing handwriting.
• Pages 10 through 15: Adult life/married life of these ancestors. For grandma Minnie and grandpa Teddy, I showed her with her children, described where they lived and the schools where the children were educated (using yearbook photos, autograph books as illustrations). I showed Teddy in his grocery store and told the story of how he was robbed during the Great Depression. Also I explained how the Farkas Family Tree (grandma's side) was founded and what role Teddy and Minnie and their children played in this organization, which lasted from 1933 to 1965. Large photos of big family events, with identification so the names and faces will be remembered. 
• Pages 16/17: What happened to the siblings/in-laws of these ancestors? In the Minnie/Teddy book, I briefly summarized the lives of their siblings and spouses if any, adding photos with captions so this isn't just a list of names. Each of my books has a couple of pages of "What happened to..." because those folks were part of the family tree, whether they lived close by or far away. 
• Page 18: My generation: I include photos of me and my Sis with some 1st and 2nd cousins as concrete links between family history of the past and relatives of today. I don't want cousins to be forgotten!
• Pages 19/20: Timeline of these ancestors' lives, in chronological order, from birth to immigration to marriage to children to later life to death and burial. I include Census years, saying that so-and-so was enumerated as living at ___ with occupation of ___. I might add that "cousin so-and-so was also living here," such as an immigrant cousin enumerated as a boarder. This is where I can mention many events that are "facts" but with a "story" angle. An address with context helps: "Fox Street in the South Bronx, at the time a good neighborhood for raising children." 

Have fun with your family history projects! 

Hubby's Ancestors Worked on the Railroad

As I create new family history photo books about my husband's maternal and paternal grandparents/great-grandparents, I'm doing a bit of research to provide historical, social, and economic context for their lives.

Wood carpenters worked for a railroad

Two of my husband's Wood ancestors, father and son carpenters, were employed by a giant railroad in Toledo. In the 1880 city directory, paternal great-grandpa Thomas Haskell Wood (1809-1890) is listed as "coach builder, LS & MS R'y." His son, hubby's great uncle Alfred O. Wood (1855-1895), is listed as "carpenter, LS & MS R'y." Not everyone's occupation was listed with an employer--clearly this employer was important to the economy in Toledo, Ohio.

At top, you can see that Toledo, Ohio was a major center of the Lake Shore & Michigan South Railway (known as the LS&MS). Look at all the railroad lines feeding into it, at the western edge of Lake Erie (red circle). Lots of employment opportunities in a growth industry! This railway system evolved over the years.

McClure ancestors worked for railroads

Other men in hubby's family tree also worked in the railroad industry. According to the 1880 US Census for Wabash, Indiana, my husband's maternal great-grandpa William Madison McClure (1849-1887) worked for a railroad. In the 1900 Census for Wabash, William's son John N. McClure (1840-1919) was enumerated as an engineer for a railroad. 

Another son of William, Brice Larimer McClure (1878-1970), hubby's maternal grandpa, also worked for a railroad, beginning about 1900. Family lore says he was a master mechanic for the Big Four, formed later than LS & MS and focused on travel in Ohio and the midwest.

Brice and his new bride (Floyda Mabel Steiner, 1878-1948), moved to Cleveland, Ohio in the middle of first decade of the 1900s. For at least a decade, they lived fairly close to the railyards there so he could easily commute to work. As a master mechanic with his own tools, he had his pick of jobs and worked in a variety of industries. In fact, he delayed retirement past the age of 65 to work during World War II, when his expertise was important to the war effort.

In my family history photo books, I'm going to summarize this interesting context in a few sentences plus include a map or two to inform descendants of how and where grandparents and great-grandparents made their living back in the day. 

New Family History Photo Book, New Surname Word Cloud

Working on a new family history photo book for my hubby's side of the family tree, I created this colorful surname word cloud for the back cover. I like to use the free WordClouds site. The bright colors, diverse fonts, and overall shape are intended to catch the attention of my readers, young and old. 

The front cover will have the wedding portraits of my husband's maternal grandparents, Floyda Steiner McClure (1878-1948) and Brice Larimer McClure (1878-1970), the main subjects of this book.

The point of making a professional photo book is that it looks polished and attractive, as well as being sturdy enough to last for a long time, so family history will live on and on. I see these books as worthwhile investments in perpetuating the story of our ancestors...buying on sale or with discounts to keep costs down.

This book, like my earlier photo books, will be heavy on captioned family photos and include cropped scans of a few key documents. Not one of my younger readers will have heard of a delayed birth record--something I hope will intrigue them.

Trying Different Archival Photo Albums

This year I've been experimenting with different types of archival photo albums, because I want the next generation to actually browse photos if they get the impulse. Before I join my ancestors, my goal is to caption and store all photos safely and conveniently. 

At top, two albums I'm trying out. At left is the Gaylord Archival Photo Preservation Album, which is actually a binder inside an archival box, easily stacked (it has reinforcing metal corners). At right is the sturdy Pioneer Pocket Photo Album, a tall album designed to stand upright or be stacked flat on a shelf.

I'm a fan of archival boxes in general, because they look neat and keep the contents flat and in good shape. Above, a peek inside the box, showing the three-ring binder and archival sleeves for 3.5" x 5" photos (or smaller sizes). I have dozens of tiny black-and-white photos taken by my late dad-in-law, which will fit in these sleeves and stay put. For caption purposes, I can include notes inside the box. An advantage is that the box will hold many more sleeves to store many more photos, which are doubly safe: inside sleeves and within the archival box. 

Here's a closeup of the Pioneer album, which holds archival sleeves for 4" x 6" photos (or smaller images sizes). I slipped in a few photos as part of my test. The sleeves have space for written captions next to photos, a real plus because I can jot notes as I go. Although these albums are too tall to stand upright on my bookshelf, they can lay flat or be stacked. In my first try, I crammed too many sleeves into the binder and had to order a second binder to hold the overflow (lesson learned). 

My test is a work in progress, and I don't have a clear preference quite yet. Either album format will keep photos in good shape for the future. No matter how you store your family photos, in albums or boxes or binders, I encourage you to think "archival" so the images and captions will be safe for the sake of many generations to come.