Newspaper Research Adds Nuance to Family History

As I prepare a new family history photo book about my husband's paternal line, I'm freshening up my research to uncover any new info. 

The last time I wrote a booklet about the family trees of James Edgar Wood (1871-1939) and Mary Slatter Wood (1869-1925) was five years ago. Lots of genealogical content has been digitized since then, especially newspapers being added to databases.

Sure enough, I discovered there's a little more to the story of Mary's Slatter family. I already knew that her sister, Adelaide Mary Ann Slatter (1868-1947), married James Sills Baker on Aug. 23, 1896 in Cleveland, Ohio, as shown in marriage record at top. What I didn't know was exactly where and who was present.

When I searched GenealogyBank for news coverage of Adelaide, I discovered two social items that mentioned Adelaide's father (hubby's great-grandfather) John Slatter (1838-1901). The items are quite similar, so I'll quote from the Cleveland Leader, Aug. 25, 1896, p. 4:

On Thursday evening, a score or more of invited guests assembled at the home of Mr. John Slatter, 433 St. Clair Street, to witness the marriage of his youngest daughter, Miss Adelaide M. Slatter, to Mr. John Sills Baker of Toledo. Mr. Thomas Lees officiated in tying the legal knot. Hearty congratulations were extended to Mr. & Mrs. Baker by their many friends. Supper was served, and the remainder of the evening was devoted to music and a social time. Many choice flowers and presents adorned the parlors. The young couple leave for Toledo, their future home, Saturday morning.

Well, the father hosted the wedding ceremony and supper for his daughter! John had been widowed for the second time the previous year, and worked as a paper hanger. My impression was that his financial situation was rather tenuous. Perhaps the married couple actually paid for their own wedding supper but the father offered his home for the ceremony? I'll never know for sure, of course.

But I'll hold onto the image of a father happily watching his daughter get married. And of course this nuance about great-grandpa John Slatter will be in the new photo book. 

Previewing and Editing Family History Books

 

Last month, I ordered one family history photo book so I could preview it before ordering multiple copies for relatives on my husband's side of the family. The main subjects are Floyda Mabel Steiner (1878-1946) and Brice Larimer McClure (1878-1970).

I've spent much of 2023 creating such professional photo books so I can memorialize ancestors for the sake of descendants who want to read the "story" rather than just looking at a family tree or a couple of photos. The books include a tree and many old photos, but also quotes from the ancestors and memories from descendants.

Preview copy for my edits and recipients' comments

The preview allowed me to see what the cover and pages look like, in print, as a final check. Sure enough, I noticed little things to improve AND little things to add.

In addition, I showed recipients the preview book and they took time to look at each page, offering comments about what they like and don't like (feedback I appreciated). My audience has repeatedly told me that "black and white is boring" so every page has some color, such as a color title at top and a colorful border around each photo, and some pages have a small saying. Also, I colorized two old photos and noted that they were colorized to avoid misleading future generations.

Pencil edits on preview copy

At top, the title page. In real life, it's NOT this yellow looking. I made a pencil note to move the left-hand photo further left to balance out the page. Also, I made a tiny pencil note under the page number, so I could quickly spot which pages had changes. 

After reading and rereading the timeline in the book, I discovered I'd inadvertently omitted two key deaths in the lives of these ancestors. In pencil, I reminded myself to add one death in 1880 and one in 1887--both are described in the narrative, but not included in the timeline until my revision.

Reorder with changes

Now I've reordered multiple copies with these and other edits, ready to give as holiday gifts to relatives who are actually excited about learning more. This is not my final family history photo book--I have one more to go, about my husband's paternal grandparents, Wood and Slatter. I'm currently gathering old photos for that project, which I'll begin in January. 

Chronicling My Farkas Ancestors

My latest family history photo book is about my Farkas ancestors, starting with the journey-takers who came to America at the turn of the 20th century. 

Great-grandfather Moritz Farkas (1857-1946), born in Hungary, was financially ruined when a hail storm destroyed his crops, leading him to sail to New York in search of a new life in 1899. A year later, his wife, great-grandma Leni Kunstler Farkas (1865-1938) followed him to New York. Their eight children arrived at Ellis Island in two groups during the next couple of years...and then they got to meet the three youngest children who were born in Manhattan.

My grandma Hermina Farkas was in the first group of children to be reunited with their parents in a tenement in the Lower East Side of Manhattan. Refusing an arranged marriage, she married grandpa Theodore Schwartz in 1911. 

The photo book under construction includes a colorful word cloud featuring the many surnames and given names of the Farkas and Kunstler and Schwartz ancestors in my family tree. I use this free word cloud generator.

Just this week, I wrote a brief bio of my great uncle Fred Farkas (1903-1980) for the photo book. Fred, named for his late grandfather in Hungary, became an accountant and worked for Stinson Aircraft during WWII. Later, he became vice president and controller for Jacobson's Department Stores in Jackson, Michigan. 

Happy birthday to Fred, born on July 15th, 120 years ago this week. He and his parents and siblings are among the Farkas ancestors I'm chronicling in this latest photo book.

"Birthday" is the week 29 genealogy prompt for Amy Johnson Crow's #52Ancestors series. 

What Did Mom Know About Family History?

When Roots became a national phenomenon in 1977, I was riveted to the TV set and asked my mother to write me a letter about her parents' ancestry. She typed a few paragraphs of what little she knew about Hermina "Minnie" Farkas (1886-1964) and Theodore "Teddy" Schwartz (1887-1965), my maternal grandparents.

I read the letter, and then . . . I filed it away, for more than 20 years. Somehow I knew I would want it in the years ahead, when I could no longer ask Mom about her family's past. Fast-forward to 1998, when I began my genealogy journey, and returned to this letter for clues as starting points for additional research.

What Mom knew--and what she didn't know

Over the years, I learned that some of what my mother wrote in her letter was correct, some was slightly off, and much was incomplete. A few examples:

• Grandpa Teddy came from peasant people in Czechoslovakia, arriving in America at 13 years old. Correct: Teddy was 13 when he arrived, turning 14 just a few weeks later. Incorrect: not of peasant people--they were actually middle class, according to first-hand info from Teddy's niece. Correct: his hometown of Ungvar was part of Czechoslovakia but only briefly, today being in Ukraine. Mom didn't know the name of her father's hometown, but happily, it did appear on Teddy's Social Security application, among other documents.
• Teddy's brother and sister came to America also, but the rest of his family was killed in the Holocaust. Correct: His brother and sister came to America. Not entirely correct: Although most members of Teddy's family were, sadly, killed in the Holocaust, his niece and one or two other folks escaped, thankfully. Apparently, Mom had no idea that after WWII, her father was in touch with his niece, a  survivor of Auschwitz.
• Grandma Minnie's parents/grandparents were prosperous farmers, renting farmland from an admiral. They didn't insure the crop one year and it failed, leaving her father financially ruined--the reason he left Hungary to come to New York City. Correct: I confirmed that the men in the family were managers of a big-shot's acreage in Hungary. Unconfirmed: the crop failure, but that story was passed down in multiple lines of the family tree, and it makes sense as the catalyst for leaving an otherwise comfortable home life, so I accept there has to be some truth to the story. 
• A teenaged Minnie came to America after her parents, with 2-3 younger siblings "under her wing" for the voyage. Correct. Two years after her father left Hungary, one year after her mother left Hungary, Minnie and three siblings arrived at Ellis Island to be reunited with their parents. Minnie celebrated her 15th birthday on board the S. S. Amsterdam enroute to America.

Preserving my grandparents' lives in a photo book

Mom's letter offered many clues to jump-start my research into her parents and grandparents. Now, 25 years into my genealogy adventures, I'm preserving this family history in my latest professional photo book. In addition to photos of Grandpa Teddy and Grandma Minnie, I'm including photos of their siblings, their parents, the ships that brought them to America, their signatures, and much more.

For me, a creating a professional photo book is a worthwhile investment in safeguarding family history for the sake of those who come after. I want future generations to know more about the background of our ancestors than my Mom did!

Putting Names to Faces in Family History Photos

 

As I continue creating family history photo books and printed materials, I'm using different ways of identifying ancestors in old photos:

• Digitally superimpose names on the photo.
• Number the faces, caption using numbers with names.
• Near photo, list names separately with explanation such as "left to right."
• Number or name people on an outline of the photo.

Names on photo

At right, my favorite method is to digitally caption with names directly on the people in each photo.

I use bright colors for the names, which stand out against the black and white or sepia of the scanned photos. The advantage is readers can quickly and easily tell who's who, without looking elsewhere on the page or on another page for names. But in some cases, photos are too crowded to use this method of identification.

On a Mac, I use the preview application to add text to these photos, but I think nearly all photo programs have the capability to do this.

Numbers on photo, names listed separately

Another method is to number the people in the photo, then add a caption listing who's who according to number. I use this method when identifying a large number of people in one photo, because there's simply no room for names.

At left, an excerpt from a family celebration photo where Sis and I are shown (40 and 41) with our mother (33) and our grandparents (23 and 24). 

This photo will appear on the left page, and the identifying names will appear on the right, something like this: 

23) Hermina Farkas Schwartz

24) Theodore Schwartz      . . . and so on.

"Left to right" listing in separate caption

When I originally captioned the photo from my parents' wedding shown at right, I used the traditional method of listing people like this, in a caption below the photo:

At the 1946 wedding of Daisy and Harold, seated in front row, left to right: Abraham Berk, Harold Burk, Daisy Schwartz Burk, Lily Berk Goldberg.

These days, I include birth/death dates and relationships to encapsulate more info in less space. So a revised version of this caption would be:

At the 1946 wedding of Daisy and Harold, seated in front row, left to right: Abraham Berk (1877-1962, groom's uncle), Harold Burk (1909-1978, groom), Daisy Schwartz Burk (1919-1981, bride), Lily Berk Goldberg (1906-1957, groom's first cousin).

This kind of caption can be shown next to, above, or below the photo, maybe even on a facing page. 

Number or name on outline of photo

One more fun idea, suggested during today's #AncestryHour chat on Twitter: turn a copy of the photo into an outline or a pencil sketch, then digitally superimpose numbers or names without obscuring the original. 

Above, my sis and me, in a pencil sketch version of the family celebration photo. Here, I put a number on each person...but if there was room, I could have squeezed in at least a first name, if not a full name. In other words, show the full original photo on one page and then on facing page or directly below, this outline version with numbers or names. Full caption could be below the outline version or opposite, depending on space. 

No matter how I caption, I want the audience to recognize which name goes to which face, and not have to turn the page to puzzle things out! 

Honoring Immigrant Great-Grandpa Moritz for Father's Day

For Father's Day, I'm remembering the patriarch of the Farkas family tree in America. 

My great-grandpa Moritz Farkas (1857-1936) left Hungary in August of 1899, disembarking and remaining in New York City. The catalyst for this journey was a devastating hail storm that wiped out his crops and left him deeply in debt. 

After Moritz established himself in the Big Apple, his wife Leni Kunstler Farkas (1865-1938) joined him in 1900. Their first eight children followed them through Ellis Island within the next two years. (My grandma Hermina was their second oldest child.) Moritz and Leni expanded their family with three more children in New York City.  

To honor these immigrant ancestors, one of my great uncles paid for "The Moritz Farkas Family" to be inscribed on the Ellis Island Wall of Honor, panel 132 (image at top). 

At right is the photo of Moritz now on his memorial page on Find a Grave. I digitally put his name on the photo and included the attribution "Courtesy Farkas family."

Of course Moritz and Leni will make an appearance in my next family history photo book, about my maternal grandparents, Hermina Farkas and Theodore Schwartz. 

Happy Father's Day, great-grandpa Moritz. I was born long after you passed away, so sadly, I couldn't get to know you . . . but I know that without your decision to sail to New York City in 1899, I wouldn't be here today. You are remembered with great affection.

Family History Photo Book: Timeline Helps Readers and Myself

Family historians know the chronology of key ancestors' lives, but the next generation may not understand the flow as easily. 

That's why, in each of my ancestor photo books, I'm including a timeline to show major events in order.

Timeline helps readers

Who was born first? Who got married when and where? When did our immigrant ancestors arrive in North America? The timeline shows readers this info at a glance. I use terminology like "1850s" or "1855ish" when the year is only an approximation. I also cover ongoing activities, such as children going to school, in a range of years.

From my most recent book about paternal grandma Henrietta "Yetta" Mahler and paternal grandpa Isaac Burk, here is one of the timeline pages I created. The timeline continued to another few lines on the following page, ending with the year these ancestors passed away.

My audience tells me over and over that quote black and white is boring unquote so I add color on every page. Here, the title of the page is in blue and the text is in black on an ivory background. Small colored hearts catch the eye and reflect my feeling that these ancestors are held in our hearts.

Timeline helps me

Creating a draft timeline also reminds me of important events as I assemble what I need for a new photo book: 

• Photos from different periods in ancestors' lives (sharpen/crop/fix before using, check resolution so photos will reproduce well)
• Selected documents or excerpts (a few intriguing ones such as a marriage cert, a naturalization cert, etc)
• Signatures (enlarged/cropped from ancestors' documents)
• Postcards, maps, other illustrations as appropriate
• Bite-sized bios of focus ancestors, plus their parents, siblings, in-laws, children, which become even more bite-sized in my books.

Watch for more posts as I continue developing my third ancestor photo book, about my maternal grandparents, Hermina Farkas and Theodore Schwartz. 

Happy 117th Anniversary to My Paternal Grandparents

I'm just finishing a photo book telling the story of my paternal grandparents, Henrietta Mahler (1881-1954) and Isaac Burk (1882-1943). The photo above takes up a full page, but with full names superimposed--the Mahler family, circa 1904. 

I really want descendants to recognize our ancestors, so the book is filled with captioned photos, not just names but dates and places where known. Plus maps showing where our immigrant ancestors were born and where they lived in the Big Apple.

Henrietta (nicknamed "Yetta"), my Dad's mother, is the lovely young lady wearing a light dress in the back row. 

Just a couple of years after this photo was taken, Yetta married Isaac Burk on June 10, 1906, in New York City. 

For this latest photo book, I created a brightly-colored word cloud with given names and surnames in the Mahler and Burk families. It's positioned in the center of the back cover. The word cloud site I use is free.

Yetta and Isaac, you're remembered with great affection on the upcoming 117th anniversary of your June wedding.

My next photo book will be about my maternal grandparents. I'll be blogging about that soon!

So Many Sites to Memorialize Ancestors

After 25 years of genealogy research, I've learned a lot about my ancestors--and I want to be sure this information isn't lost in the years to come.

For the past few years, I've been writing bite-sized ancestor bios and posting on key genealogy sites. The idea is to share family history more widely, and bios are also possible cousin bait. 

Above, four websites where I've posted the same bio and photo of my paternal grandmother, Henrietta "Yetta" Mahler Burk (1881-1954). 

Clockwise, from top left:

WikiTree is a free collaborative tree site that's growing fast and has the added benefits of sources and (if you wish) DNA connections. I also appreciate the ability to link to profile pages for each parent, each child, each spouse, each sibling. Plus WikiTreers are a friendly bunch!

MyHeritage.com is a subscription site that designates a place on each ancestor profile for a biography. If you want to learn more about how to post a bite-sized bio on MyHeritage, please read my article in the Knowledge Base. Bonus: MyHeritage has many nifty photo tools for enhancing/repairing/colorizing old family photos.

FamilySearch.org came online in 1999 and is the world's largest free collaborative tree site. Grandma Henrietta is well represented with photo, bio, research. A great site, and I'm glad that MyHeritage includes FamilySearch tree results when I research my ancestors.

Find a Grave, now owned by Ancestry, is another free place to post ancestor bios. I especially like that the 226 million+ memorial pages from this site are indexed and appear in search results on Ancestry, Family Search, Fold3, and more. 

Reader Diane asks whether I'm going to use Ancestry's new Storymaker Studio or MyHeritage's DeepStory for telling ancestors' stories. I tried DeepStory, and found it engaging but I do need more experimentation to refine the story and choose the right ancestor photo. It would intrigue the younger generation, but it can't be put on the bookshelf like a photobook, ready at any time for any audience. So far, I haven't yet tried Storymaker Studio but it's on my list to investigate this year.

PLUS: On Ancestry, there is a convenient space under "LifeStory" to type or paste in a full bio! I just did that for Henrietta Mahler Burk, as shown above. Another great way to share family history in narrative form.

Happy 142d birthday, Grandma Yetta, on May 9th. Your name, face, and life story are not forgotten! I'm currently creating a professional photobook about you and Grandpa Isaac, as a keepsake for your grandchildren and great-grandchildren.

Bite-Sized Family History: Upgrading to Professional Photobooks

For the past decade, I've been compiling bite-sized family history booklets to share facts, stories, and photos with my relatives. Choosing a specific focus helps me manage each project so it doesn't become overwhelming for me or my readers.

Now I'm in the process of converting my many paper-based family history booklets into professionally-produced photobooks, one at a time. In the past, I had a local copy shop print my bite-sized booklets in color on heavyweight paper, then I put them into a plastic sleeve or a binder for each recipient. But I've noticed the earlier booklets are becoming worn looking, pages getting creased and torn. Some of the thinner booklets have been lost in the shuffle. 

I'm ready to upgrade, little by little. Why pay more for a professional photobook?

• Professional photobooks are much higher quality, more polished looking. The photos are sharper, the layouts more sophisticated. 
• Professional photobooks will far outlast my previous paper-based booklets. 
• Professional photobooks can be customized so photos are larger or smaller, text areas carry more words, headlines are in different colors, etc. The creative possibilities are endless.
• Professional photobooks impress my readers more than the paper-based booklets. I found this out with my small (6 inch by 6 inch) photobook about ancestors in World War II. Readers responded very enthusiastically!
• Remember: Watch for discounts and sales. Some photobook sites announce discounts for major holidays...others offer free "extra pages" or other specials. Shop around and see which site meets your needs.

At top, the cover of my latest bite-sized project in progress, a photobook (8 x 11 inches) about my Mom and her twin sister. I first created this in paper booklet form two years ago. Transformed into a photobook, it will be a more durable keepsake that readers can page through again and again for years to come.

Plus I finally know the names of all the people in all the photos so my captions will be more complete! An older cousin reached back into her memory to identify the two "mystery children" in the above photo as part of the FAN club (friends, associates, neighbors), not relatives. We also dated the photo after carefully studying the apparent ages of the kids. 

Redoing my family history into a professional photobook offers an opportunity to correct, add, subtract, and focus. Everyone is identified by full name AND I inserted info from the 1950 US Census, among other changes. The paper-based booklets looked quite good, but these look really great.

Without question, photobooks are much more costly than paper booklets. For me, after 25 years of researching my family tree, it's a worthwhile investment in memorializing ancestors for the long term--but let me stress again that I wait for a sale to order. Actually, I'll first order a single copy to see how the book looks. Then I can either tinker or reorder for all my readers (on sale of course). 

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Bring Family History Alive in Bite-Sized Projects is one of my genealogy presentations--learn more here.